


I've been looking at some famous package designs for fragrances and I noticed that Karim Rashid is a very prominent designer whose created some great packaging for brands like Issey Miyake, Hugo boss, Kenzo etc.






3) Executional guidelines – Describe the key words (mood, personality or visual qualities etc) that has informed this work? What are the materials, techniques and processes used to create this piece of communication?
The designer (Karim Rashid) has created this perfume to be “airport-friendly”, hence, the perfume is a pocketsize stone that easily fit in the palm of your hand. This perfume as other perfumes by Kenzo uses bright, vibrant and energetic colours and is nature-inspired. The combination of shapes of the outer cover and the perfume is contrasting and is very interesting. The designer, Karim Rashid has used pebbles as an inspiration to create this range of packaging designs.
The 2009 Ryoko Collection is saturated in high-gloss color. Fragrance pebbles are suspended in a see-through box, signifying one of the ironies of modern travel -motion without movement. This range of perfumes is a part of the summer collection and hence the bright colours.

4) If you were commissioned to design this work yourself – what are the stages in the research and design process you would use? List as bullet points:
Research processes
Design processes
5) How might these processes relate to your own research?
My aim for the MA project is to create packaging designs for international luxury brands and these processes will be very helpful in conducting my own research. Observing how the designer Karim Rashid has developed these designs is very inspiring. These processes are very similar to what I will be using in developing my project, as the target audience etc. are similar.